Vibrations and how they get to your ears.
Noise for airports is a blog about culture, sound, music, and technology.
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Updated (sometimes) by Nick Seaver.
This is a pretty sculpture, although I wish there was a way to make the strings more immediately responsive. (Would be tough though, given that they have to spin up first.) The description, from YouTube, from Rhizome:
“Visions of the Amen” is an interactive kinetic sculpture by Mitchell F Chan. The piece is brought to life by the voice of talented young soprano Ashleigh Semkiw, performing in this video Messiaen’s Poemes Pour Mi. The primary elements of the sculpture are 16 strings, weighed down on one end by brass bars and attached at the other end to motors, spin at various speeds to sweep out those ghostly sine-wave forms, and pull up and down on the brass rods. The resultant visual effect, overall, looks something like 16 brass rods dancing, bobbing up and down in a forest of ghostly columns.
Each string in the arrangement is activated by a different note, and spins with a velocity dependent on the volume of that note. So each song and unique delivery creates a different ballet. The microphone feeds into a software that I wrote in Processing, which does some pitch and volume analysis, and then exports PWM values for all the motors via serial protocol to a set of microcontrollers.
(via Rhizome)