Vibrations and how they get to your ears.
Noise for airports is a blog about culture, sound, music, and technology.
You can filter the posts to see just things I wrote or made.
Updated (sometimes) by Nick Seaver.
In the late forties I found out by experiment (I went into the anechoic chamber at Harvard University) that silence is not acoustic. It is a change of mind, a turning around. I devoted my music to it. My work became an exploration of non-intention. To carry it out faithfully I have developed a complicated composing means using I Ching chance operations, making my responsibility that of asking questions instead of making choices.
update: Related.
(image via Dan Holdsworth)
Dick Whyte’s reconstruction of 4’33”, stitching together YouTube performances of the piece.
(Source: rhizome.org)
Untitled (for William Tager) (2006) - Dave Dyment
A radio for every available frequency in a given space, all tuned to their lowest possible volume.
Beautiful concept, though the Tager reference is a little morbid.
(via Rhizome)
Denoising Field Recordings documents an early attempt at using denoising-techniques in a creative and compositional manner. Instead of utilising noise-reduction-algorithms for their intended purpose (the restoration of damaged audio signals), these processes are applied to various field recordings of trains, streets, swimminghalls and public transport. Due to the fact that these recordings consist entirely of noises this operation transforms the originals into an uncanny hybrid of newly introduced processing artefacts, occasional silence and sporadically audible traces of the original field recordings. What kind of sound-aesthetics can emerge while denoising field recordings? Which audible parameters are able to resist this »audio-erasement-process«? How are these traces comparable to the visual remanences of Robert Rauschenberg’s erasure of a de Kooning drawing?
Shimmering, gorgeous results of applying noise reduction algorithms to “noise.” Click through to hear samples.
(via Everyday Listening)
Scores are silent music!
The Fiery Furnaces’ next album will consist of instruction, conventional music notation, graphic music notation, reports and illustrations of previous hypothetical performances, reports and illustrations of hypothetical performances previous to the formation of their hypotheses, guidelines for the fabrication of semi-automatic machine rock, memoranda to the nonexistent Central Committee of the Fiery-Furnaces-in-Exile concerning the non-creation of situations, Relevant to Progressive Rock Division, conceptual constellations on a so-to-speak black cloth firmament, and other items that have nothing to do with the price of eggs, or milk, or whatever the proverbial expression ceased to be.
In other words, a Silent Record.Since bands can no longer sell audio, FF decline to provide it.
“I wired the gallery with 13 microphones, each set in a resonating tube tuned to a note of the diatonic scale. The viewer would put on headphones and play a tune on an antique keyboard, in which each note was made of filtered sound from elsewhere in the gallery.”
(via moonmilk)
